2831:

theblackoutof67:

jimhalperting:

48owlslane:

jessicawearsfezesnow:

nancyrosee:

lovemedoj2:

mishafordinner:

caslivesindeansbrickpants:

NICKELODEON BEGINS PRODUCTION ON REMAKE OF E4’S MISFITS

“American children’s network Nickelodeon has reportedly begun production on remaking the E4 show Misfits.

Nathan Cress, best know for his work on the hit Nickelodeon show iCarly, will helm the band of Misfits, and oddly enough he shares a name with the British version of the character he will be portraying.

The series focuses on a group of community service participants who receive superpowers after a freak storm. Nickelodeon execs say that the sexual nature of the program will be heavily toned down, and replaced with more storylines involving conflict resolutions with family, friends and peers.

Two other Channel 4 dramas, Shameless and Skins, have recently been remade for the US, and Nickelodeon hopes to bring more british TV ventures into their programming late next year.”

PERDITION NO.

I haven’t even seen the original but NICKELODEON WHAT WHAT WHAT ARE YOU DOING?! THERE IS A RIGHT AND A WRONG HERE. NO. NO. WE ARE DONE NICKELODEON. WE’RE DONE!

WHAT THE FUCK ARE YOU DOING. NO. NO.

Are you fucking kidding me right now? STOP IT US!!! YOU ARE RUINING EVERYTHING!!!!!
 

No fucking way! STOP! im dying from laughter! Nickelodeon?!?!?!

NICKELODEON. WHAT THE HELL. NO. NO. JUST NO.

This is no fucking way this is real.  Someone saw the orange fucking jumpsuit and decided to be a shit disturber. 

Is it sad that I know the orange jumpsuit is from the “OMG WE’RE GOING TO SPACE!!!1” episode of iCarly? I’ll just… see myself out.

SO MUCH WRONG

(Source: therealtannerg)

oldhollywood:

Tarantula (1955, dir. Jack Arnold)

This entry in the “Science Gone Horribly Wrong” genre is mainly notable for the giant, rampaging mutant tarantula, young Clint Eastwood’s brief appearance as a napalm-dropping fighter pilot, and special effects good enough to traumatize arachnophobic viewers.

One day I’m going to dress up like this and take pictures.

(Source: vintagology)

oldhollywood:

Anthony DawsonGrace Kelly in Dial M for Murder (1954, dir. Alfred Hitchcock)

Francois Truffaut: I should mention that this is one of the pictures I see over and over again. Basically, it’s a dialogue picture, but the cutting, the rhythm, and the direction of the players are so polished that one listens to each sentence religiously. It isn’t all that easy to command the audience’s undivided attention for a continuous dialogue.

Hitchcock: I just did my job, using cinematic means to narrate a story taken from a stage play. All of the action in Dial M for Murder takes place in a living room, but that doesn’t matter. I could just as well have shot the whole film in a phone booth.

Let’s imagine there’s a couple in that booth. Their hands are touching, their lips meet, and accidentally one of them leans against the receiver, knocking it off the hook. Now, while they’re unaware of it, the phone operator can listen in on their intimate conversation. The drama has taken a step forward. For the audience, looking at the images, it should be the same as reading the opening paragraphs of a novel or hearing the expositional dialogue of the stage play. You might say that the filmmaker can use a telephone booth pretty much in the same way a novelist uses a blank piece of paper.

-excerpted from Hitchcock by Francois Truffaut & Helen G. Scott

theniftyfifties:

Dior evening gown, 1952.

TIMELESS

theniftyfifties:

Dior evening gown, 1952.

TIMELESS

cheapandjuicy:

75. 100 movies | It Happened One Night

Say now, wait a minute. Let’s get this straightened out right now. If you’re nursing any silly notion that I’m interested in you, forget it. You’re just a headline to me.

cheapandjuicy:

75. 100 movies | It Happened One Night

Say now, wait a minute. Let’s get this straightened out right now. If you’re nursing any silly notion that I’m interested in you, forget it. You’re just a headline to me.

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